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OVER A QUARTER CENTURY OF DEDICATION TO PROTECTING, PRESERVING AND PROMOTING EROTIC ART.
June 18 - August 2, 2015
Riga, Latvia

kim? Contemporary Art Centre
presents
Slash: In Between the Normative and the Fantasy

TOM OF FINLAND (Touko Laaksonen, Finnish, 1920 – 1991), Nordic God, 1969
TOM OF FINLAND (Touko Laaksonen, Finnish, 1920 1991), Nordic God, 1969, Graphite on paper, 11.50 x 8.00, Tom of Finland Foundation Permanent Collection, 1969 Tom of Finland Foundation

The first Queer themed art project in Latvia

The exhibition includes work from the archives of Tom of Finland and Edgars Ozoliņš, and by the following participants: Zackary Drucker and Rhys Ernst (USA), Lucas Foletto-Celinski (Brazil, Germany), Atis Jākobsons (Latvia), Aleesa Cohene (Canada), Vladislas Nastavševs (Latvia), Benny Nemerofsky Ramsay (Canada, Germany), Armīns Ozoliņš (Latvia), Karol Radziszewski (Poland), Wolfgang Tillmans (Germany), Vilnis Vējš (Latvia).

The first time a public art institution in Latvia is turning towards “slashes” among contemporary art expression. More than 20 years had to pass since the decriminalization of homosexuality for such an exhibition, influenced by the digitalisation of personal life, to be possible – borrowing from the open-source mentality. The other, here, isn’t juxtaposed to the norm as something locked in the solitude of an individual strangeness or an impossible taboo, but as an awareness of an essentially recognizable, reachable, and modifiable aspect of personal identity.

LUCAS FOLETTO-CELINSKI
LUCAS FOLETTO-CELINSKI

Stuck between the norm and fantasy, the slash questions the self-explanatory about sexual orientation. It questions the difference between identity and belonging, between belonging and decency.  It does not concern only homosexuality, but a whole range of issues, which sometimes dart and zigzag through our minds. For the bent, the queer, first and foremost has to do with the right to be asexual and is unlikely to lead to pining for polyandry. The starting point here is to be found outside the context of partnership: it is the reflection of the queer on the self and an inner dialogue with the imagined possibilities aroused by the surrounding environment. Imagination is universal, therefore seductive art is meant even for the conservative. Straightness may lift one straight to heaven, but if we consider the infinite outside the Euclidian geometric framework, then the relationship between two parallel lines turns out to be less than straightforward, a little slanted, allowing for them to meet at some point.

The group exhibition consists of works that hold a friction between imagination and reality, with unexpected flickers of synergy in the place of routine sparks. The different fusion samples are of a variety of structures. There are fragments of personal stories, micro-history notes without any pretence to the status of an artwork, as well as art installations of a conceptual nature without narrative features. There are poetic subversions of the hetero-normative dominant in mass media, presented in a video format, and nearby – charcoal drawings, where the plaster casts of Roman busts, ubiquitous in the academic art education system, have seemingly lost their cast in stone identities. The stories of intimate human relations and changes brought by the changing of time are addressed by various photo series, and daily artefacts unexpectedly surfaced from the past proclaim a certain message.

Knitting together the period before the decriminalization of homosexuality in Latvia with the queer interpretations of the turn of the 21st century in contemporary art is an exercise in the tightrope walking of communication. Thus an almost atrophied form of communication, which is nevertheless crucial in any attempt to revisit the past, the letter, pops up here and there among the works included in the exhibition. Letters are placed in glass cases as documentary evidence of history, or serve as epistolary forms of social sculpture. At a time when you can officially stick a stamp with a Tom of Finland’s homoerotic drawing on an envelope, you might think that shortly before becoming extinct even the most conservative type of communication has succeeded in integrating the outsiders. How such a letter might reach its addressee in Latvia is one of the footnote questions of the Slash exhibition.

Curated by Kaspars Vanags and Gary Everett

Collaboration partners: Homotopia, ISSP, MooiMan, Tom of Finland Foundation, 427, Luis De Jesus Los Angeles, Association of Memorial Museums.

The exhibition shall open during EuroPride and run through 2nd August.

kim? Contemporary Art Centre
Gallery Hours: Tuesday: 12 pm to 8 pm Wednesday thru Sunday: 12 pm to 6 pm
12/1 Maskavas Street, Riga, LV-1050, Latvia · Map
Tel +371 67223321 · Email kim@kim.lv
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MALE MUSE
"Whenever I was depressed or disgusted, I would feel him, that spirit inside, urging me back to living, back to drawing, I believe there is a lot to the world that can’t be seen or touched, and if you turn away from that — especially if you are an artist — you are avoiding an important part of life, maybe the very heart of it.” — Tom of Finland